Virtually all resources aimed at teaching people how-to code introduce the code itself too soon. In doing so, many fundamental and empowering concepts remain hidden and out of reach. These resources often lack explanations of why a coding concept exists as it does. Additionally, these resources rarely consider designers directly. Coding for Designers is the response to this unfortunate reality.
If you self-identify as an illustrator or graphic, visual, UI, UX, motion, or game designer then this is for you. Other non-coders will benefit too, but self-identifying designers are the focus. This book–the one I wish existed when I began coding–is also for an earlier time-slice of myself. He will not reap the benefits of its existence, but you will.
Many claim that designers need to learn to code. I disagree. Yes, learning to read and author code is a powerful ability, but so too is conveying ideas and information visually. I want only to empower you further.
In completing this book, you will gain knowledge and confidence for engaging in–not shying from–coding conversations. You will form a mental model to improve your ability to read, understand, and author code. Should you choose to never read or author it again, you'll have at least gained the power to see and design digital creations through a more capable lens.
This book is not for you if you want to jump straight into code though. We cover many ideas, topics, and concepts before diving into actual programming code. This intentionality helps frame why certain programming concepts exist as they do. It also encourages a beneficial mindset that may be less familiar.
The plan of attack is simple. In chapter one, Breaking Barriers, we will demystify a series of concepts that intimidate most designers and non-coders. From the seemingly magical ones and zeros, to the code you will soon write, we will see simple, repetitive, and reusable concepts at play.
In chapter two, Structure, Style, and Behavior, we will cover the three codeable features that enable computers to render our dynamic and interactive creations. We will do so from a 2D context with the web platform and a 3D context with the Unity® platform. These perspectives will solidify the distinct role that structure, style, and behavior play regardless of dimensionality.
Chapter three, Programming and Visual Design, will cover the Elements, Principles, and Constructs of Visual Design relative to programming’s counterparts. This work will help shape a mental model tuned specifically for designers.
In chapter four, Interactive Code, we will introduce many concepts that are invaluable when reading and authoring code. We'll explore many topics including frame rate, the event loop, interfaces, and code anatomy. In exploring them you will further improve and shape your mental model.
Finally in chapter six, Deconstructing Designs, we will put everything we have learned to practice. We will do so by analyzing and deconstructing the user interfaces of impactful applications. We will then reconstruct portions of their UIs to learn how they are made.
Let’s do this.